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उत्तरभागः · टीकात्रयी · आक्षेप-समाधान-प्रकरणम्

How Patañjali
वदति — argues

The Mahābhāṣya is not a commentary that explains the Aṣṭādhyāyī. It is a discussion that tests it — sūtra by sūtra, asking whether the rule is needed, whether it works, whether a shorter one would do. Patañjali never marks his own moves with labels. But he keeps returning to the same handful of words to make them, and this page is built entirely out of finding those words in his own text — nothing here is a structure imposed on the Bhāṣya from outside it.

कथम्
→
2.1.1
→
भाष्ये
the objector presses
सूत्रम् — the rule under discussion वार्त्तिकम् — an addition Kātyāyana proposes these six words — Patañjali's own signal that the argument turns

Three authors, one grammar

मुनित्रयम्

Sanskrit grammar has one text with three authors, a century or more apart, and a rule for what to do when they disagree.

पाणिनिः states the 3,983 sūtras of the Aṣṭādhyāyī. कात्यायनः, generations later, writes वार्त्तिकानि — terse notes flagging where a sūtra over-generates, under-generates, or could be shorter. पतञ्जलिः, later still, writes the महाभाष्यम् — not a line-by-line gloss of either, but a discussion about both: is the vārttika's objection real? Does Pāṇini's rule survive it as stated, or does it need the fix? Tradition sums up the whole arrangement in four words: यथोत्तरं मुनीनां प्रामाण्यम् — "authority increases with lateness." Where the three disagree, the later voice is followed — not because it is cleverer, but because it has already had to answer the earlier one.

That makes the Bhāṣya something narrower and more useful than "commentary." It is Patañjali arguing — with an imagined objector, with Kātyāyana's vārttikas, sometimes with a straw version of his own last sentence — and the arguing has a shape: a question is raised, an objection follows (पूर्वपक्षः, "the prior side"), a reply answers it (सिद्धान्तः, "the settled view"), often more than once before the discussion moves on. Nothing on this page labels which sentence is which. What this page does instead is point at six phrases Patañjali uses, over and over, to make exactly those moves — because he does the labelling himself, in his own words, and a reader only has to learn to notice them.

How much of the grammar Patañjali actually reaches.

Six words, and what each one signals

handholds

These are not a scholar's invented taxonomy. They are Patañjali's own recurring vocabulary, counted directly out of the corpus's text of the Bhāṣya — every occurrence tokenised on word boundaries, not on a raw substring, because "न वा" as a bare substring also turns up as the tail of one word running into the head of the next (…अर्थेन वाक्येन…, …कीलेन वा…) and would inflate the count with pairs Patañjali never wrote as a phrase.

MarkerLiterallySignals Counted hereQuoted in the brief
A methodological choice, stated rather than hidden. Word-final म् regularly becomes anusvāra before a following consonant — plain sandhi, same word, no change of sense. कथम् surfaces as कथं and किमर्थम् as किमर्थं often enough that counting both spellings together would materially change the totals above (). This page counts the citation form only — the spelling the tradition itself names the device by — and reports the sandhi form's raw frequency here rather than quietly folding it in. The other four markers do not end in म्, so this does not touch them.

Patañjali against Kātyāyana

Kātyāyana's vārttikas are proposals, not the last word — Patañjali tests each one the same way he tests Pāṇini.

Two vārttikas, and the bhāṣya that decides between them

The sūtra names the bahuvrīhi compound: more than one word, meaning something none of them means alone. Kātyāyana attaches two vārttikas to it, back to back:

The corpus's own text of the bhāṣya labels the second of these — in its bracketed section-heading, part of the source edition's outline, not Patañjali's sentence — a समाधानबाधकवार्त्तिकम्, "a vārttika that undercuts the [first] vārttika's own answer." Patañjali's bhāṣya then continues in न वा, agreeing the proposal fails. That is a more textured picture than "Patañjali overrules Kātyāyana" — here it is one vārttika undercutting another, with the bhāṣya tracking which one stands. The excerpt below picks up right where the two vārttikas are introduced:

One passage, start to finish

The seven densest passages measured for this page run 8,000 to 34,000 characters — honest to excerpt from, dishonest to call "unpacked." is complete at a few hundred characters, and it still shows two different markers doing two different jobs, plus a fresh objection that carries no marker at all — which is itself the point: not every turn in an argument is signalled.

The full passage, for reference — every step above, in order, markers highlighted the same way as the reader further down the page:

What the corpus adds around it

The corpus's English translation of this sūtra

This is the corpus's vasu_english layer — M. M. Sris Chandra Vasu's translation, covering all 3,983 sūtras. Notice what it does not carry: the objection-and-reply above. Like most translations aimed at a general reader, it renders the rule's plain sense and drops the back-and-forth — which is exactly why the walkthrough above stays in Patañjali's own Sanskrit rather than leaning on a ready-made English paraphrase for the argument itself.

Read the markers where they sit

Interactive

Pick a passage — an opening excerpt of one of the eight densest, or the vārttika passage above — and its markers light up. Turn a marker off in the legend to see the same text without that highlight; step through the densest passages in order with the walker below the picker.

walk the densest

What these six words do not cover

Honest

of the 1,702 commented sūtras carry none of the six markers. That is not a gap in the counting — it is most of the Bhāṣya, and it should look like nothing in particular, because it is nothing in particular: continuous exposition, examples, cross-references, without a turn to signal.

Plain exposition, no structure imposed

No marker, no sandhi-shifted marker, nothing this page would highlight — a rule, its examples, one vārttika adding three more words to the same pattern:

The Mahābhāṣya's own last words

is the final sūtra of the Aṣṭādhyāyī, and the bhāṣya on it closes with the colophon marking the end of the entire Mahābhāṣya. It carries none of the six markers this page tracks — but it carries three of the source edition's own bracketed labels, all built on प्रत्याख्यानम्, "rejection": one सूत्रप्रत्याख्याने श्लोकवार्तिकम्, "a verse-vārttika [given] toward the sūtra's rejection," opening the argument that अर्वन् and मघवन् take this change only in Vedic use and so should not have been taught by a classical rule at all — followed by two more, each labelled plain प्रत्याख्याने श्लोकवार्तिकम्, stacking a second and third reason onto the same rejection. Left with its edition tags visible, the one place on this page they are, because this passage is what earns them:

Every passage this page cites

Coverage
SūtraRole on this pageMarkers (full passage) LengthReading view
Where every number on this page comes from. The six markers' counts, the dense-passage ranking, the coverage figures and every Sanskrit excerpt are computed in A9-mahabhashya.data.py from C.layer('bhashya', ref) across all 1,702 commented sūtras — nothing is retyped from a printed edition. The vārttikas come from C.vartika(), the sūtra facts from C.sutra_rec() and C.layers_for(), and the closing sūtra's English gloss from the corpus's own vasu_english layer. The English explanations threaded between the Sanskrit — what a marker is doing at a given turn, why a passage was chosen, the reading of 6.3.111's argument — are this page's own, written to be checked against the Sanskrit beside them rather than taken on faith.

Check yourself

अभ्यासः

Six questions. Pick an answer to see which sūtra — or which passage — decides it.